Douglas Abdell bibliography
books, artworks, exhibition catalogues and other items from the collection are placed in the context of Douglas Abdell's bibliography in eleven chronologically ordered periods/series of work

University period and Pre-Yad series
[+/-]
works made during studies and cast bronze works until 1971

studied engineering at Wentworth Institute, Boston, Massachusetts

studied engineering and architecture at Utica College, Utica, New York

1968

studied painting and sculpture | «Da Cimabue a Parmigianino», 1968-69 | Florence, Italy

1969

student work made | untitled | cast bronze relief and patina | 31x39x10 cm | acquired by FG in September 2022 from a private collector in Cyprus | on view, atelier Madrid, Spain

1970

received B.F.A. (sculpture with Honors) | Syracuse University, Syracuse, New York

group exhibition | Artists of Central New York | Munson-Williams-Proctor Institute, Utica, New York

moved to Arkville, New York where he lived as a hermit

1971

group exhibition and catalogue | Exhibition by Artists of the Mohawk-Hudson Region | from June 6th through August 29th | Schenectady Museum, Schenectady, New York

group exhibition and catalogue | Ten Artists of the Mohawk-Hudson Region | catalogue preface by Donald Mochon | November 9 - December 12 | University Art Gallery - State University of New York, Albany, New York

award | Artists & Writers Revolving Fund | National Institute of Arts and Letters, New York, New York

one-man exhibition | May | Graham Gallery, New York, New York

article | Jane Gollin | Art News, New York

1972

group exhibition | Graham Gallery, New York, New York

1974

sculpture in public collection | Sepryad, 1969 | cast nickel bronze | 13 ins high | gift in 1974 of Ablah, Don, Mr. & Mrs. to Edwin A. Ulrich Museum of Art, Wichita, Kansas | Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas

1989

group exhibition | 20th Century Sculpture | April 16 - May 31 | Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas

group exhibition | 20th Century Sculpture | October 25 - December 3 | Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas

1993

group exhibition | Aspects of Sculpture | May 23 - June 27 | exhibition curated by Donald Knaub | Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York


Yad series
[+/-]
bronze cast in Arkwille, New York from 1971 to 1972

1971

commentary | «The Medium Is the Mess» by Douglas Abdell | letters to the editor | December 23 | the Village Voice, New York

1972

one-man exhibition | May 31 - June 24 | Graham Gallery, New York City, New York

article | Art: The Sculpture of Upper Volta | Saturday, June 3 | John Canaday | The New York Times, New York

award | Artists & Writers Revolving Fund | National Institute of Arts and Letters, New York, New York

review | Gretchen T. Munson | Art News, New York

review | Marianne Hancock | Arts magazine, New York

1973

sculpture award | The Silvermine Guid Award | The Silvermine Guid of Artists, Inc., New Canaan, Connecticut

group exhibition and catalogue | 24th New England Exhibition | June 9 - July 8 | The Silvermine Guid of Artists, Inc., New Canaan, Connecticut

group exhibition | Dartmouth College, Hanover, New Hampshire

award fellowship | Vermont Arts Council, Vermont Council on the Arts, Vermont

2022

institutional exhibition | Douglas Abdell: Yads, Phoenaes, Aekyads 1971-1981 | 7.7.22 - 4.9.22 | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

editorial of the exhibition | «Mamco Journal: MAMCO été 2022» | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

article with reproduction of exhibition | Au Mamco, l’expo de l’été se savoure dès l’apéro | Arts et scènes | Samedi-dimanche 16-17 juillet, p.19 | Tribune de Genève, Genève, Suisse

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York


Aeyad
[+/-]
bronze reliefs cast in Arkwille, New York and in South Strafford, Vermont from 1972 to 1973

1972

bronze relief | Ekc-Aeyad | black patina | 14'x17'1/2 in | work in a public collection | repository: Inventories of American Painting and Sculpture, Smithsonian American Art Museum | owner from 1980: Wichita State University, Edwin A. Ulrich Museum of Art, Wichita, Kansas

1973

wall relief | Klaet-Aeyad | unique bronze | 40.6x45.7 cm | work in a public collection | owner from 1976: St.Mary's College of Maryland, St.Mary's City, Maryland

bronze relief | Aekcs-Aeyad | unique bronze | 39.3x45.7 cm | work in a public collection | repository: Inventories of American Painting and Sculpture, Smithsonian American Art Museum | owner: University of Notre Dame, Snite Museum of Art, Notre Dame, Indiana

moved to South Stratford, Vermont where he lived has a Hermit

1975

group exhibition | Marisa del Re Gallery, New York, New York

1976

one man exhibition | The Sculpture of Douglas Abdell, 1972-76 | September 26th to October 14th | Manwaring Gallery, Cummings Arts Center, Connecticut College, New London, Connecticut

one man exhibition | The Sculpture of Douglas Abdell, 1972-76 | November 1st to November 23rd | St. Mary's College of Maryland and Gallery, St. Mary's City, Maryland

1977

one man exhibition and catalogue | The Sculpture of Douglas Abdell, 1972-76 | Kryads and Aeyads series | statements by Douglas Abdell | text by Andrew J. Crispo | catalogue published by Andrew Crispo Gallery, New York City | exhibition: January 14th to February 5th | Andrew Crispo Gallery, New York, New York

one man exhibition | The Sculpture of Douglas Abdell, 1972-76 | August 10th to September 4th | Ulrich Museum of Art, Wichita State University, Wichita, Kansas

2013

work sold at auction | wall relief | Nct-Aeyad, 1973 | unique bronze | 38.1x47.6x10.8 cm | Bonhams/Skinner auction on September 20 | it was owned by art dealer Joan Sonnabend, Boston, Massachusetts


Kryad
[+/-]
bronze sculptures cast in South Strafford, Vermont from 1973 to 1976

1973

moved to South Stratford, Vermont where he lived has a Hermit

sculpture in corporate collection | Caenq-Kryad | unique bronze | 167.6x53.3x43.2 cm | Atlantic Richfield Co., Los Angeles, California / Denver, Colorado

1974

group exhibition | Twentieth Century Americans | Andrew Crispo Gallery, New York, New York

sculpture in public collection | Traux-Kryad, 1973 | unique bronze | 165.1x33.0x43.2 cm | recent accessions 1974, Corcoran Gallery of Art | Bicentennial Exhibition | permanent collection of Corcoran Gallery of Art, Washington D.C.

group exhibition | Harcus-Krashow-Rosen-Sonnabend Gallery, Boston, Massachusetts

1975

one man exhibition | Douglas Abdell, Recent Sculpture | April 24 to May 10 | Andrew Crispo Gallery, New York, New York

group exhibition | The Designer Collects | David and Long Co., New York | exhibition at the Cooper-Hewitt Museum of Design, New York City, New York

group exhibition | Bertha Schaeffer Gallery, New York, New York

group exhibition | Twentieth Century Americans | Andrew Crispo Gallery, New York, New York

1976

group exhibition | Arab Celebration - Festival Bostonian | City of Boston, Mayors office of Cultural Affairs | foreword by Mayor Kevin White | Boston Museum of Fine Arts - Boston City Hall, Boston, Massachusetts

group exhibition | Rose Art Museum | Brandeis University, Waltham, Massachussetts

painting in a public collection | Premonition, 1974 | oil on canvas | 26x22 in | Connecticut College, New London, Connecticut

film by Carolyn Swartz | «Douglas Abdell, The Installation of Aepheau-Kryad at the Rose Art Museum», Waltham, Massachusetts

one man exhibition | The Sculpture of Douglas Abdell, 1972-76 | September 26th to October 14th | Manwaring Gallery, Cummings Arts Center, Connecticut College, New London, Connecticut

one man exhibition | The Sculpture of Douglas Abdell, 1972-76 | November 1st to November 23rd | St. Mary's College of Maryland and Gallery, St. Mary's City, Maryland

group exhibition | International Decoration and The Arts | an exhibition for the benefit of Cancer Care, Inc. The National Cancer Foundation | exhibition curated by Billy Baldwin | November 5-28 | Andrew Crispo Gallery, New York, New York

sculpture in corporate collection | Assae-Kryad, 1974 | unique bronze | 70x24x12 inch | 178.0x61.0x30.5 cm | Wells, Rich, and Greene Corporation, New York

1977

sculpture in public collection | Baqae-Kryad, 1975 | unique bronze, black patina | 65” x 19” x 14” | Collection of H. H. Thyssen-Bornemisza, Lugano, Switzerland

group exhibition and catalogue | Festival Bostonian Retrospective | Jaunary | introduction of the catalogue by Elizabeth G. Cook | City of Boston, Mayors office of Cultural Affairs | Boston City Hall, Boston, Massachusetts

text on upcoming exhibitions and photos of Abdell in his studio | Jaunary, p.48 | Andy Warhol's Interview 1977-01: Vol 7 Iss 1 | Brant Publication, New York, New York

one man exhibition and catalogue | The Sculpture of Douglas Abdell, 1972-76 | Kryads and Aeyads series | statements by Douglas Abdell | text by Andrew J. Crispo | catalogue published by Andrew Crispo Gallery, New York City | exhibition: January 14th to February 5th | Andrew Crispo Gallery, New York, New York

article | Woodstock Colony: 75 Years in Art | February 4 | Grace Glueck | The New York Times, New York

work in public collection | cast bronze sculpture | «Kraeaux-Kryad», 1974-76 | 233.6x101.6x45.7 cm | Figge Art Museum, Davenport, Iowa

group exhibition and catalogue | Art '77: A Selection of Works by Contemporary Artists from New York Galleries | introduction by Dennis Lucas | February 19 - March 25 | Root Art Center, Hamilton College, Clinton, New York

article | March | p. 25 | Allen Ellenzweig | Arts Magazine, New York

group exhibition | Recent Acquisitions | April 14 - May 5 | Andrew Crispo Gallery, New York City, New York

one man exhibition and catalogue | The Sculpture of Douglas Abdell, 1972-76 | August 10th to September 4th | Ulrich Museum of Art, Wichita State University, Wichita, Kansas

article | Sculptures, Paintings Reach into the Universe | August 14 | p. 15d | Dorothy Belden | Wichita Eagle and Beacon, Wichita, Kansas

group exhibition and catalogue | This is Art Today: An Exhibition of Works by Living Artists | foreword by Carter Rand | Root Art Center, Hamilton College, Clinton, New York

1978

group exhibition | Twentieth Century American Sculpture | August 4-28 | Andrew Crispo Gallery, New York City, New York

mention | Networks: «Dulce et decorum est pro Anais testari» | Barry Donald Jones | published by Rochelle H. Dubois, New York

printed labels for wine bottles by Abdell | «Baco-Noir» and «Seyval-Aurora» | wine made in Cambridge, Massachusetts

group exhibition | Art for Collectors V. | November 12 - December 17 | Toledo Museum of Art, Toledo, Ohio

book | Kryad Poems by Douglas Abdell | introduction «The Grammar of Kryad-Lyric as Abdell's Sculptural Ontology» by Victor Bartolo Manfredi | published by Chelsea Press Inc., Chelsea, Massachusetts

1979

article | An Artist for All Seasons | Arlene Friedberg | Boston Today, Boston, Massachusetts

review | Kryad Poems review | Rochelle H. Dubois | Art Voices/South, Virginia

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | Kryad and Aekyad series | catalogue foreword by Gene Baro | December 3, 1979 - January 25, 1980 | New World Art Center, Miami-Dade Community College, Miami, Florida

group exhibition and book | Syracuse University Alumni Exhibit | Jaunary 5 - February 26 | book foreword by Dean August I. Freundlich | introduction by Raphael Soyer | Lowe Art Gallery, Syracuse, N.Y. and Lubin House of S.U., New York City | Syracuse University College of Visual and Performing Arts, Syracuse, New York

1980

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | Kryad and Aekyad series | introduction to catalogue by Gene Baro | February 12 - March 8 | Sweet Briar College, Sweet Briar, Virginia

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | Kryad and Aekyad series | introduction to catalogue by Gene Baro | March 11 - April 12 | Univerity Library, Washington and Lee University, Lexington, Virginia

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | Kryad and Aekyad series | introduction to catalogue by Gene Baro | May 4 - June 1 | Davenport Municipal Art Gallery, Davenport, Iowa

1985

one man exhibition | Spoleto Festival U.S.A. and Gibbes Art Gallery | Kryad, Aekyads and 1982/83 paintings | May 23 - June 30 | Gibbes Museum of Art, Charleston, South Carolina

2021

group exhibition | Dimensional: 3D Works from the Figge Collection | September 11, 2021 - Jaunary 16, 2022 | Figge Art Museum, Davenport, Iowa

2023

painting sold at auction | Premise of Kryad, 1974 | oil on canvas | 76.3x51 cm | Lot 254 | Middle East | 20th Century Art | Sotheby's London, United Kingdom

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York


Aekyad /1st period
[+/-]
pre-phase painting made in South Strafford, Vermont and in Boston, Massachusetts between 1975 and 1976
sculpture and drawing made in Everett and Somerville, Massachusetts, from 1977 to 1980
welded sculpture works in Germany only in 1981

1975

painting made | The Democacy of Jazz | pre-phase works of Aekyad series | works of this group showed first time in 2021 for the retrospective by Ab/Anbar Gallery in London

1977

welded bronze sculpture made | Naexa-Aekyad | November 7 | 77.5x50.8x8.2 cm | in 1978 Van Day Truex tempthed to buy the sculpture from Andrew J. Crispo, gallery owner of Abdell in those years | in June 1978 the sculpture was showed in the exhibition «Painting & Sculpture Today, 1978» in Indianapolis | in 1979 Van finally buys the sculpture. This was the last purchase made by Van Day Truex before his death in April | after a few years the sculpture was given by Albert Hadley to Adam Lewis | New York, New York

artwork made | Drawing for Naexi 3-Aekyad | ink on paper | 35.2x21 cm | drawing from the FG collection since February 2019 | on view, atelier Madrid, Spain

1978

group exhibition | Texas Fine Arts Assoc. 67th National Exhibition | from November 6 | Laguna Gloria Art Museum, Austin, Texas

group exhibition and catalogue | Painting & Sculpture Today, 1978 | catalogue edited and compiled by Hilary D. Bassett | book introduction by Robert A. Yassin | organized by Contemporary Art Society of the Indianapolis Museum of Art | June 15 - July 30 | Indianapolis Mueseum of Art, Newfields, Indiana

group exhibition | New Forms in Sculpture | July 25 - August 12 | Andrew Crispo Gallery, New York City, New York

work in Museum | Fizae-Aekyad | made January 4, 1978 | welded bronze relief | 105.4x195.5x15.2 cm | gift of Gerald Rabinovitz, Gail Kleven Gelb, Alan Elgart, Joel Goodman, Robert Hark, Donald Corkin, and Edward Zuker in Memory of Robert M. Markson (1947-1968) to Brandeis University, Rose Art Museum, Waltham, Massachusetts

group exhibition | 20th-century artists | thru October 15 | Abdell, Arman, O'Keefe, Wyeth | Andrew Crispo Gallery, New York City, New York

group exhibition | Collector's Choice | November 10 - January 14, 1979 | Mississippi Museum of Art. Jackson, Mississippi

1979

one man exhibition and catalogue | The Sculpture of Douglas Abdell | catalogue with an interview by Gene Baro | Andrew Crispo Gallery, New York City, New York

review | Douglas Abdell, Sculpture | review of exhibit at Andrew Crispo Gallery | January 18, page 11 | Wiley L. Wood | Art/World, New York

article | An Artist for All Seasons | June, pp. 16, 17 | Arlene Friedberg | Boston Today, Boston, Massachusetts

sculpture intstallation on Park Avenue, New York | between 74th and 75th Streets | Temporary Public Art on Park Avenue | Parks & Recreation, City of New York, New York

article | Three Abstractions Form Puzzle on Park Avenue | sculpture installation on Park Avenue, New York City | November 5, section A, page 1 | Laurie Johnston | The New York Times, New York

group exhibition | Twentieth Century Americans | Andrew Crispo Gallery, New York, New York

sculptures in public square | «Eaphae-Aekyad #2» and «Kryeti-Aekyad #2» | welded hot-rolled steel, painted black | 297.2x195,6x55,9cm and 231.1x332.7x55.9cm | permanent installation on John Jay Park, Manhattan, East 76-78th Streets and Cherokee Place, New York, New York

one man exhibition and catalogue | Recent Sculpture 1979, Abdell | text and quotation of Douglas Abdell | through Dec. 1. | Andrew Crispo Gallery, New York, New York

article | A Sculptor is a Wizard of Odds | November 6, page 16 | Donald Flynn | Daily News, New York

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | Kryad and Aekyad series | introduction to catalogue by Gene Baro | December 3, 1979 - January 25, 1980 | New World Art Center, Miami-Dade Community College, Miami, Florida

article | From flat metals, Abdell creates movement | December 7 | session: Miami art scene | p. 20 | Lillian Dobbs | The Miami News, Miami, Florida

1980

article | 1980-01: Vol 54 Iss 5, p.40 | Addison Parks | Arts Magazine, New York

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | Kryad and Aekyad series | introduction to catalogue by Gene Baro | February 12 - March 8 | Sweet Briar College, Sweet Briar, Virginia

article | Douglas Abdell, a Drive Toward Essentials | 1980-03: Vol 54 Iss 7, p.166-167 | Gene Baro | Arts Magazine, New York

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | introduction to catalogue by Gene Baro | March 11 - April 12 | Univerity Library, Washington and Lee University, Lexington, Virginia

group exhibition and catalogue | Sculpture at Sands Point Park | an AREA Project | Artists Representing Environmental Arts, Inc. | catalogue introduction by Phyllis Braff | May 3 to October 29 | Nassau County Museum, Port Washington, New York

one man exhibition and catalogue | Douglas Abdell: Sculpture and Drawings, 1973-79 | introduction to catalogue by Gene Baro | May 4 - June 1 | Davenport Municipal Art Gallery, Davenport, Iowa

group exhibition and catalogue | Sculpture on Shoreline Sites | Sculpture Garden | AREA - Artists Representing Environmental Arts, Inc. | outdoor sited sculpture by Abdell, Andre, Clerk, Pepper | catalogue introduction by Dorothea M. Silverman | large-scale works visible from Carl Shurz Park, 105th | May 31 (raindate June 1) - April, 1981 | Manhattan Psychiatric Center, Roosevelt and Wards Island, New York

article | Guide to What's New in outdoor Sculpture | September 12 | Glueck, Grace | The New York Times, New York

review | Sculpture Garden | October 19, p. 76 | review of AREA exhibition in New York City | Ronny H. Cohen | Artforum, New York

one man exhibition | Recent Sculptures, Douglas Abdell | Andrew Crispo Gallery, New York, New York

group exhibition | Collector's Gallery XIV | Marion Koogler McNay Art Institute, San Antonio, Texas

one man exhibition | Sculptures and Drawing | May 21 – October 31 | Storm King Art Center, Mountainville, New York

one man exhibition | Abdell: Sculpture and Drawings | The City of Nashville, Tennessee Performing Art Center, Nashville, Tennessee

temporary sculpture intstallation on Legislative Plaza, Nashville, Tennessee | Knaefiel-Aekyad | 345.0x187.5x57.5cm | welded steel painted black | The City of Nashville, Tennessee

article | Urban Clarity and Balance | apartment at United Nations Plaza, Manhattan, New York | interior design by Angelo Donghia | text by Peter Carlsen | September | pp. 130-141 | Architectural Digest

article | Exhibit of Bronze, Steel Sculptures | October 19 | Clara Hieronymus | The Tennessean, Nashville, Tennessee

sculptures in public collection | «Krefe-Aekyad», 12/2/1980 and «Kranae-Aekyad», 11/27/1980 | 86x57x20 inches and 90x52x19 inches | welded steel paint black | actual locations in Wichita State University campus: Engineering Building (south side) and Duerksen Fine Arts Center (north side) | gifts in 1980 of the Price R. and Flora A. Reid Foundation to Ulrich Museum of Art, Wichita State University, Kansas

group exhibition | Small Sculpture | artists: Douglas Abdell, Ilya Bolotowsky, Roy Gussow, Hubert Long, Ernest Trova, Arman, Jose De Rivera, Joseph KonzaI, Louise Nevelson | through Nov. 20 | catalogue introduction by Renee Landes | monthly publication «FYI» (p.6) by Office of Community Relations of The Gallery-North Campus, Miami-Dade Community College, Miami, Florida

1981

one man exhibition | Seven monumental sculptures | February 14 - March 7 | Andrew Crispo Gallery, New York, New York

group exhibition and catalogue | Sculptures and their related drawings | March 3-31 | works by: Abdell, Arman, Arp, Bigi, Bolotowsky, Bourgeois, Calder, Crowder, De Riviera, Esbin, Etrog, Frank, Gross, Halahmy, Hokanson, Lassaw, Lewitt, Lipschitz, Lipton, Manzu, Matisse, Miro, Moore, Nakian, Nevelson, Noguchi, Reimann, Rosati, Rickey, Roszak, Smith, Zuniga | curator: Marilyn Rosenberg | Marisa del Re Gallery, New York, New York

one man exhibition | Museum School Gallery, Museum of Fine Arts, Boston, Massachusetts

one man exhibition | catalogue | Sculpture & Drawings from the Aekyad Series | 13 March to 19 April | catalogue foreword and exhibit curator Arthur R. Blumenthal | Dartmouth College Museum & Galleries Beaumont-May Gallery, Hopkins Center, Hanover, New Hampshire

one man exhibition and catalogue | Recent Sculptures and Drawings | May 11 - June 10 | catalogue introduction by Renee Landes | The Gallery-North Campus, Miami-Dade Community College, Miami, Florida

documentary film | Heavy Metal on Park Avenue | director Carolyn Swartz | presented by The Institute of Contemporary Art to «The New Boston Cinema» | May 16 - July 14 | work about the sculptures installation (1979) on Park Avenue, New York, New York

temporary sculpture intstallation on public way | Kraeff-Aekyad | 360x172x75 cm | welded steel painted black | temporary intstallation on Hardenbergstrasse 22 (Charlottenburg), Berlin | from April | Amerika Haus Berlin, West Germany

article | Viver Metal Kunst aus Stahl ziert das Amerika-Haus | April 17 | F. Diederichs | Berliner Morgenpost, Berlin, Germany

one man exhibition and catalogue | Neue Skulpturen | May, June, July | catalogue introduction by Robert P. Milton and Robert Kudielka | text by Addison Parks | Amerika Haus Berlin, West Germany

article | Die grafischen Plastiken des Douglas Abdell, Vor dem Amerika-Haus blüht es stählern empor | 3. Juni | Peter-Hans Göpfert | Berliner Morgenpost, Berlin, Germany

article | Sculptur und Lautrnalerei, Der Amerikaner Douglas Abdell in zwei Ausstellungen | Heinz Ohff | June 11, p. 5. | Der Tagesspiegel, Berlin, Germany

sculpture in public collection | «Caephae-Aekyad #2», 1979 | welded steel painted black | 243.8x388.6x61 cm | work in Sculpture Park/Museum | gift anonymously to Storm King Art Center, Mountainville, New York

sculpture in public collection | Qrefe-Aekyad, 1981 | welded steel painted black | 237.5x150x50 cm | Skulpturenpark des Josef Albers Museums Quadrat, Bottrop, Germany

work in public collection | Drawing for Pnauxae-Aekyad, 1977 | graphite on paper | 114.9x81.3 cm | Brooklyn Museum, New York, New York

work in public collection | Drawing for "Kcryeti-Aekyad #2, 1980 | gouache on white wove paper | 39.6x48.4 cm | 1981 gift of the artist to Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts

1982

article | Public Sculpture | topic: sculpture installation on Park Avenue, Manhattan, New York | March-April | Vol 25 Iss 3-4, p. 102 | Art International, Lugano, Switzerland

group exhibition and catalogue | «The Spirit of Paper»: Twentieth Century Americans | catalogue essay by Addison Parks | reprod. p.7 | June 3 to July 29th | Frances Wolfson Art Gallery - Miami-Dade Community College, Miami, Florida

group exhibition | 6 paintings: Earth Medallion, Earth Swirls, Fallen Moon, Maze, Inner Blossom, Phantom Flowers | authors: Lowell Nesbitt, Charles Saliger, Douglas Abdell | August 20-26 | Tirca Karlis Gallery, Provincetown, Massachusetts

1983

exhibition | Douglas Abdell, Valerie Jaudon | 6. Februar - 13. März | Quadrat Bottrop, Modern Galerie, Bottrop, West Germany

article | Concord of Cultures | interior design by Sally Sirkin Lewis for a contemporary house in Japan | architecture by Kaio Ariizumi | landscape architecture by Ken Nakajim | April | pp. 130-141 | Architectural Digest

sculpture in public collection | Aekyad series | welded steel painted black | 70 x 19 1/2 x 17 in. | Mississippi Museum of Art, Jackson, Mississippi

1985

article | Crosscurrents | High Rise at Sea Level in Palm Beach, Florida | interior design by Angelo Donghia, ASID | text by Jesse Kornbluth | January | pp. 132-141 | Architectural Digest

sculpture in public collection | «Kaephae-Aekyad #2», 1979 | 96x112x22 in | welded steel painted black | work installed in 1979 on Park Avenue and later in John Jay Park, Manhattan, New York | Wichita Art Museum purchase with funds donated by the Price R. and Flora A. Reid Foundation and the Friends of the Museum | the sculpture is on permanent display in the sculpture garden of the Wichita Art Museum, Wichita, Kansas

article | Score for a Loft | text by Suzanne Stephens about work of a architect Preston Phillips to an open space in Manhattan, New York | editor: Elizabeth Sverbeyeff Byron | Jaunary | pp. 128-134 | House & Garden

museum book | A landscape for modern sculpture: Storm King Art Center | publisher by Abbeville Press, New York | text by John Beardsley | photography by David Finn | pp. 41, 93, 94, 95 | Storm King Art Center, New York

one man exhibition | Spoleto Festival U.S.A. and Gibbes Art Gallery | Kryad, Aekyads and 1982/83 paintings | May 23 - June 30 | Gibbes Museum of Art, Charleston, South Carolina

sculptures in public collection | «Knaefiel-Aekyad» and «Aephkae-Aekyad» | made 1980 | 345.0x187.5x57.5cm and 280.0x257.5x57.5cm | welded steel painted black | works in a public collection | the Public Monument Conservation Project of The City of Charleston's Department of Park indicates the works from 1985 on Gibbes Museum of Art, Charleston, South Carolina

1988

guide to Manhattan's outdoor sculpture | Upper East Side, east of Fifth Avenue | The Art Commission of the City of New York and The Municipal Art Society, New York | pp. 247, 159, 259, 260 | Michelle Cohen & Margot Gayle | publisher: Prentice Hall Press, New York

1989

sculpture in public collection | Kraefo-Aekyad, 1981 | January 2 | welded steel painted black | 222.3x135.9x50.8cm | 1989 gift of Price and Flora Reid Foundation to University of Kansas, Helen Foresman Spencer Museum of Art, Lawrence, Kansas in 1989 | installed on concrete foundation in April 9, 1990 at Spencer Museum of Art, University of Kansas, Lawrence, Kansas

1990

sculpture in public collection | «Kreke-Aekyad», 11/25/1980 | 89x49x18 inches | welded steel painted black | work donated by the Price R. and Flora A. Reid Foundation to Tabor College | Tabor College, Hillsboro, Kansas

1992

article | Simply New York | interior designer David Walker of Carole and Ronald Litoff’s apartment in United Nations Plaza in Manhattan, New York | text by William Weaver | July | pp. 142-147 | Architectural Digest

1996

guide | A guide to the sculpture parks and gardens of America | author: Jane McCarthy | pp. 84, 146, 186 | p. 84: Storm King Art Center, New York | p. 146: Martin Bush Outdoor Sculpture Garden, Wichista State University, Kansas | p. 186: Florida International University, Miami, Florida | publisher: Michael Kesend, New York

2002

city guide «New York» | John Jay Park | p. 400 | A&C Black Publishers | third edition | earlier editions of 1983 and 1991 | author: Carol von Pressentin Wright | Yorkville and East River Islands, New York, New York

2004

sculpture in public collection | Kryeti-Aekyad #3, 1980 | welded silicon bronze | donated to Stanford University by Gap clothing chain owners and art collectors Doris and Donald Fisher | installed outside the SLAC Stanford Linear Accelerator Center's main auditorium on August 6, 2004 | owner: Stanford University, Stanford, California

2007

work in Museum | sculpture | Aeqae-Aekyad | made November 11, 1978 | steel painted black | 32 3/4 x 42 x 5 1/2 inches | Wichita Art Museum purchase with Director's Discretionary Fund | Wichita Art Museum, Wichita, Kansas

2009

guide | Public Art | New York | p. 174 | author: Jean Parker Phifer | publisher: W.W. Norton, New York, New York

2013

art parks guide | Art parks: a tour of America's sculpture parks and gardens | Storm King Art Center | p. 30 | publisher: Princeton Architectural Press, New York

2018

artwork in the FG collection | Drawing for Naexi-Aekyad, 1977 | ink on paper | 30.1x22.7 cm | author's gift to FG for the acquisition of the Naexi-Aekyad bronze sculpture in September | on view, atelier Madrid, Spain

museum book | The Garden: Wichita Art Museum | Wichita Art Museum, Wichita, Kansas

2019

drawing from in FG collection | Drawing for Knaexi 4-Aekyad | made May 5 - May 25, 1978 | ink on paper | 45.0x38.0 cm | on view, atelier Madrid, Spain

twin sculptures in public collection | «Kreqe-Aekyed», 10/20/80 and «Kqrefe-Aekyad», 11/27/80 | 79x59x19 inches and 88x48x19 inches | welded steel painted black | the sculptures became a part of Kansas State University’s art collection 1988 | «Kreqe-Aekyed» gift in July from the Price R. and Flora A. Reid Foundation and «Kqrefe-Aekyad» gift in August from the Price R. and Flora A. Reid Foundation and Charles V. Kincaid to Kansas State University | the sculptures were installed on the KSU campus university grounds between Thompson and Nichols halls in 1989 | from 2019 in the outdoor sculpture garden of the Marianna Kistler Beach Museum of Art, Stolzer Family Foundation Gallery, Manhattan, Kansas

2020

artwork in the FG collection | Aekyad Poem, 1979 | drawing | 18.5x12.3 cm | inpen and ink on paper | on view, Atelier Madrid, Spain

drawing in the FG collection | Drawing for Knadep-Aekyad, 1977 | ink on paper | 60x40 cm | on view, atelier Madrid, Spain

drawing in the FG collection | untitled | made April 19, 1978 | ink on paper | 14.7x19.2 cm | on view, Atelier Madrid, Spain

2021

article | Art & Voices Matter: Morad Montazami sifts through complexity of Southern Modernism | by Dilpreet Bhullar | Jun 28 | published on: STIRworld, New Delhi, Delhi

retrospective | Reconstructed Trap House | exhibition curated by Morad Montazami | 12-24 October | Ab/Anbar Gallery, Cromwell Place, London, United Kingdom

interview | Douglas Abdell talks to Jean Wainwright about «A Reconstructed Trap House» | The London Magazine, London, United Kingdom

article | Douglas Abdell's Punic Wars rediscovered in a London retrospective | October 23 | Melissa Gronlund | The National, Abu Dhabi, United Arab Emirates

2022

group exhibition of outdoor sculptures | Sculpturegarden, Geneva Biennale | collaboration avec MAMCO et la Ville de Genève | commissariat général by Devrim Bayer | Parc La Grange, Geneve, Switzerland

institutional exhibition | Douglas Abdell: Yads, Phoenaes, Aekyads 1971-1981 | 7.7.22 - 4.9.22 | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

editorial of the exhibition | «Mamco Journal: MAMCO été 2022» | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

article with reproduction of exhibit | Au Mamco, l’expo de l’été se savoure dès l’apéro | Arts et scènes | Samedi-dimanche 16-17 juillet, p.19 | Tribune de Genève, Genève, Suisse

article with reproduction of sculpture | Sculpture Garden at Geneva Biennale | September 19 | Art Viewer, Antwerp, Belgium

2023

academic study topic | «D.Abdell e la cultura fenicia» | Docente: Lidia Reghini di Pontremoli | corso: Antropologia Culturale | Accademia di Belle Arti di Roma, Italia

eBook | «Atmosphere(s) for Architects: Between Phenomenology and Cognition» | Authors: Michael A. Arbib, Tonino Griffero | essay by Elisabetta Canepa | p.276 | New Prairie Press, Kansas State University Libraries, Manhattan, Kansas

2024

group exhibition | Fully Dimensional: Artists of the Outdoor Sculpture Collection | artists of the Martin H. Bush Outdoor Sculpture Collection | Ulrich’s 50th Anniversary special program | Jaunary 25 - June 15 | Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas

sculpture in public collection | Eaph-Aekyad | made March 17, 1977 | cast bronze | 16 1/2 x 12 1/2 x 2 3/4 inch | provenence: the collection of Michael Lynne, New York City | owner: The Heckscher Museum of Art, Huntington, New York


Phoenaes
[+/-]
painting made in New York, Germany and Italy between 1981 and 1982

1981

one man exhibition and catalogue | Berlin Phoenaes | introduction by Richard Kostelanetz | statement by Douglas Abdell | 3. Juni bis 4. Juli | Studio Galerie Mike Steiner Berlin, Germany

article | Sculptur und Lautrnalerei, Der Amerikaner Douglas Abdell in zwei Ausstellungen | Heinz Ohff | June 11, p. 5. | Der Tagesspiegel, Berlin, Germany

1982

one man exhibition | Kraenqo-Phoenaes | phonetic paintings & drawings | June 12 -July 16 | Andrew Crispo Gallery, New York, New York

one man exhibition | March 10 | Mercato del Sale, Milano, Italy

article | Another Wave Still More Savagely Than the First: Lower East Side, 1982 | Nicholas A. Moufarrage | September: Vol 57 Iss, P.69 | Art News, New York

1983

painting in public collection | Springtime on Jupiter, 1982 | oil and graphite on canvas | 182.9x182.9 cm | McNay Art Institute, McNay Art Museum, San Antonio, Texas

1984

painting in public collection | Karolein in der Bundesalle, 1982 | oil on canvas | 72×72 in | gift of Dr. Harry C. Bishop, Class of 1943, to Hood Museum of Art, Dartmouth, New Hampshire

2020

painting in the FG collection | Phaena-Kraenq-Phaena, 1982 | oil and pencil on paper | 19.2x20.1 cm | on view, atelier Madrid, Spain

2022

institutional exhibition | Douglas Abdell: Yads, Phoenaes, Aekyads 1971-1981 | 7.7.22 - 4.9.22 | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

editorial of the exhibition | «Mamco Journal: MAMCO été 2022» | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

article with reproduction of exhibit | Au Mamco, l’expo de l’été se savoure dès l’apéro | Arts et scènes | Samedi-dimanche 16-17 juillet, p.19 | Tribune de Genève, Genève, Suisse

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York


New York City period
[+/-]
painting, sculpture (totems), collage made in a loft 458 Broadway, 2nd floor corner Grand Street, New York City from 1980 to 1984

1983

exhibition | Zero One, Los Angeles | March | Zero One Gallery, Los Angeles, California

review of exhibit at Zero One Gallery, Los Angeles, California | Hot Dog press, Tokyo, Japan

group exhibition | The Famous Show | Gracie Mansion Gallery, New York, New York

review | Famous Show | review of exhibit at Gracie Mansion Gallery, New York | Nicholas A. Moufarrage | Flash Art, Roma, Italia

video-interview | 11 P.M. SHOW | Douglas Abdell paints in his studio 458 Broadway, New York City | August 31 | 日本テレビ - NTV Nippon Television, Japan

group exhibition | Running Show | Running Center, New York, New York

group exhibition | Hot Part Two | Gracie Mansion Gallery, New York, New York

group exhibition and catalogue | Written Imagery Unleashed in the 20th Century | November 6, 1983 to January 22, 1984 | Fine Arts Museum of Long Island, Hempstead, New York

group exhibition and book | «La Scuola di Atene - Il sistema dell'arte» | XVII Rassegna Internazionale d'Arte di Acireale | a cura di Achille Bonito Oliva | opere di: Abdell, Basquiat, Brown, Cutrone, De Palma, Haring, Rammellzee | 18 dicembre 1983-31 gennaio 1984 | Palazzo di Città, Acireale, Sicilia, Italia

review | «L' Artista nel Sistema» | review «La Scuola di Atene», Acireale, Sicilia | December, p. 46 | Duccio Trombadori | Rinascita, Roma Italia

article | New York replica al «made in Italy» | Esposti ad Acireale i graffiti degli artisti americani, è la risposta alla «transavanguardia» | review of exhibit «La Scuola di Atene» | 24 dicembre, pag.17 | Vanni Bramanti | l'Unità, Roma, Italia

group exhibition | Gracie Mansion Presents | December 15 | Gracie Mansion Gallery at @ Kamikaze, New York, New York

one man exhibition | Douglas Abdell - New Paintings | November 10 - December 16 | Gallozzi-La Placa Gallery, New York, New York

1984

article | review of exhibition at the Fine Arts Museum of Long Island | January 1, section 11LI, page 6 | Writing as a Type of Drawing | Phyllis Braff | The New York Times, New York

article | I Neo-Amanuensi | New York: Rammellzee and Douglas Abdell | reproductions, text and interviews | February, pp. 86-91 | Maurizio Torrealta | Frigidaire, Italia

review of exhibition at Gallozzi-La Placa Gallery, New York City | February, Vol. 22, No. 2, p. 83 | Ronny H. Cohen | Artforum, New York

group exhibition | La Scuola di Atene | febbraio | Centro Culturale Cembalo Borghese, Palazzo Borghese, Roma, Italia

monumental sculpture made | The Misconception of an A | welded steel | 250x190x60 cm | co-authors: Douglas Abdell and Phase Two | produced by Gallozzi-La Placa Gallery, New York City, New York | in July 2009 Artnet announces that the work will be in the auction «Urban Art 1972-Present» | source: Fad Magazine | the only monumental steel sculpture of a Letter from the Graffiti movement ever made | accidentally destroyed work

group exhibition | Totem | February | Charles Cowles Gallery, Bonnier Gallery and Germans Van Eyck Gallery, New York, New York

group exhibition | La Scuola di Atene | marzo | Comune di Ferrara, Gallerie Civiche d'Arte Moderna, Palazzo dei Diamanti, Ferrara, Italia

group exhibition | La Scuola di Atene | aprile | Mueso Laboratorio Casabianca, Malo, Veneto, Italia

group exhibition | The Paper Show | Gallozzi-La Placa Gallery, New York, New York

group exhibition | Chill out New York | works by sixty artists living and working in New York this summer including Abdell, Augeri, Beachler, Hambleton, Lady Pink, Nechvatal | July & August 26 | Kenkeleba House, New York, New York

1985

one man exhibition | Spoleto Festival U.S.A. and Gibbes Art Gallery |Kryad, Aekyads and 1982/83 paintings | May 23 - June 30 | Gibbes Museum of Art, Charleston, South Carolina

group exhibition | New York graffiti writers | Galleria Studio G7, Bologna, Italy

article | The Misconception of an A | reproduction & text of collaborative sculpture | no. 663, p.76 | July-August | Domus, Italia

art fair exhibition | Bologna, Italy

1986

group exhibition | among the exhibiting artists: Ben Shahn, Douglas Abdell, Richard Anuszkiewicz, Mlton Avery, Will Barnet, Ilya Bolotowsky, Theodore Roszak, Gordon Parks, James Rosenquist | April 10 to May 17 | Pembroke Gallery, Houston, Texas

group exhibition | Heads: Modern – Ancient | May | Mokotoff Gallery, New York City, New York

review | spring/summer | No. 5 | contributing artists: Douglas Abdell, Donald Baechler, Mike Glier, Jenny Holzer, Jerry Kearns, Marilla Palmer, Joseph Szilva, Edward Waisnis, George Wardlaw, ArtExtreme, Donald Waisnis and Edward Waisnis | ArtExtreme, Philadelphia, Pennsylvania

group exhibition and book | Erratici Percorsi | XIX Rassegna Internazionale d'Arte di Acireale | a cura di Achille Bonito Oliva | redazione catalogo e coordinamento mostra a cura di Lidia Reghini di Pontremoli | catalogo: Nuove edizioni Gabriele Mazzota | exhibition: 21 dicembre 1986 - 25 gennaio 1987 | Palazzo de Cittá, Acireale, Sicilia, Italia

review of «Erratici Percorsi» exhibition | December 21 | Giuseppe Contarino | La Sicilia, Catania, Italia

1987

article | «Libertà di inventare» | La XIX Rassegna d'Arte di Acireale | p. 11, January 2 | Francesco Poli | Il Manifesto, Roma, Italia

article | «Il cielo scolpito da fasci di luce» | Transavanguardia in mostra ad Acireale | January 17 | Lidia Reghini Di Pontremoli | Avanti, Roma, Italia

article | Abdell | p. 57, January-February | Stefano Petricca | Leader, Roma, Italia

review of «Erratici Percorsi» exhibition | February-March (Italian edition), p. 52 | Barbara Tosi | Flash Art, Roma, Italia

video documentario | durata: 27'27" | andato in onda il: 03/3/1987 | XIX Rassegna Internazionale d'Arte Acireale a cura di Achille Bonito Oliva | regia di Pino Badalamenti | Rai - Regione Sicilia, Italia

group exhibition | Erratici Percorsi | a cura di Achille Bonito Oliva | Marzo-Aprile | Castello Colonna, Genazzano, Roma, Italia

review of «Erratici Percorsi» exhibition | pp. 44-45, April-May | Michel Baudson | Arte Factum, Antwerpen, Belgium

1992

group exhibition | 20th century and contemporary painting, sculptures, and works on paper | Artists: Douglas Abdell, Roland Baladi, Alghiero E. Boetti, Marcel Duchamp, Futura 2000, Stephen Hall, Charles 'Koor' Hargrove, Mary Larsen, George Long, Man Ray, Toxic | Dir. Niccolo Lorimer | May | Magnetstone Contemporary Art, Paoli, Pennsylvania

2000

auction catalogue and exhibition | GRAFF - Graffiti Art | Guernsey's auction, New York, New York

2021

retrospective | Reconstructed Trap House | exhibition curated by Morad Montazami | 12-24 October | Ab/Anbar Gallery, Cromwell Place, London, United Kingdom

interview | Douglas Abdell talks to Jean Wainwright about ‘A Reconstructed Trap House’ | The London Magazine, London, United Kingdom

work sold at auction | sculpture (totem) | 8 Consolidated Laws 9, 1983 | oil, ink and collage on board | 163x46x38cm | auction: October 20, 2021 | 20th Century Art, Middle East, Lot 15 | Sotheby's London, United Kingdon

article | Douglas Abdell's Punic Wars rediscovered in a London retrospective | October 23 | Melissa Gronlund | The National, Abu Dhabi, United Arab Emirates

work in public collection | Contract Arment Work, 1983 | collage, oil and ink on wood and canvas | 140x196 cm | acquired by Barjeel Art Foundation, Sharjah, United Arab Emirates

2022

artfair exhibition | Artissima Torino | session: Back To The Future | 3 - 6 November | Ab/Anbar Gallery, London/Teheran | OVAL, Lingotto Fiere, Torino, Italia

project «Voice Over /Artissima» | critical text by Balthazar Lovay | video: «Douglas Abdell in conversation with Salman Matinfar» gallerist of Ab/Anbar Gallery London/Teheran | «Back to the Future» section of Artissima Voice Over | Artissima Torino, Italia

article | Ad Artissima, Tre galleriste da Teheran | edithor: Società Editrice Umberto Allemandi S.r.l. ©Copyright | Numero 434, dicembre, p. 60, | Il Giornale dell'Arte /sezione Gallerie, Torino, Italia

2023

group exhibition | Uncharted Echoes | tenth anniversary of the Ab-Anbar Gallery, London/Teheran | opening of the Ab-Anbar Gallery exhibition space in London’s Fitzrovia | exhibition curated by Bartomeu Mari | September 7 - 30 | Ab/Anbar Gallery, London, United Kingdom


Intervalism
[+/-]
sculpture and painting made in New York City, Spain and Italy from 1984 to 1990

1984

book | Mirror Magnetik Interval | coauth Douglas Abdell and Begonia Korta-Zaharra | publisher: Inst-Intervalist-Itute, 458 Broadway, New York 10013, New York

group exhibition | Abecedary | show of works on paper by Abdell, Chia, Cucchi, Rifka and other | April 6 – May 6 | Gallozzi-La Placa Gallery, New York, New York

sculpture | The Breaking of the 8 Matrix | cast bronze and steel | 72 1/2 inches | work in Museum | Wichita Art Museum purchase in 1986 with funds donated by the Price R. and Flora A. Reid Foundation | Wichita Art Museum, Wichita, Kansas

works in public collection | work on: «The Ruth & Marvin Sackner Archive Of Concrete And Visual Poetry, 1984 catalogue» | 5oo copies | catalogue published in May 1986 | book edited by Marvin Sackner & Ruth Sackner | Ruth and Marvin Sackner Archives, Miami Beach, Florida

1985

catalogue by Douglas Abdell «Diamond = Mirror x K» | essays and drawings by Douglas Abdell | reproduction courtesy Gallozzi-La Placa Gallery, New York City | catalogue for exhibit ARCO'85, Madrid, Spain

art fair Madrid exhibition | Gallozzi-La Placa Gallery, New York City | ARCO'85, Madrid, Spain

art fair exhibition and catalogue | «The Intervalist's Chair» by Douglas Abdell | catalogue including essays, drawings and reproductions | 1 soft cover book, 28 pages | 30x21 cm | catalogue published: Gallozzi-La Placa Gallery, New York City | catalogue signed by: Douglas Abdell | Fiera Internazionale d'Arte Contemporanea'85 di Milano, Italia

group exhibition and catalogue | «Birds of Paradise», New Image sculpture | May 23-June 15 | some of exhibitors: Douglas Abdell, Ettore Consolazione, Marianne Eigenheer, Francisco Leiro, Tom Otterness, Rammellzee | Galleria Il Ponte, Roma, Italy

article | Abdell el Fenicio | entrevista por Korta-Zaharra | fotos: Paco Navarro | pp. 36-42 | V.O. (uve o) Barcelona, Catalunya, Spain

group exhibition | The Music Show | November to December | Gallozzi-La Placa Gallery, New York, New York

sculpture exhibition in videoclip | Korta-Zaharra and their video Transit Motion | sculpture exhibition in conjunction with performance | October | Otto Zutz Club, Barcelona, Catalonya, Spain

1986

group exhibition | Savage Thrones | under supervision of Anthony Fawcett & July Winters | April 15 to May 10 | The Ginza Art Space, Tokyo, Japan

sculpture | Q-Interval of Ether | welded steel | 27 x 10 3/4 x 9 3/8 inches | Wichita Art Museum purchase with funds donated by the Price R. and Flora A. Reid Foundation | Wichita Art Museum, Wichita, Kansas

group exhibition and book | Erratici Percorsi | XIX Rassegna Internazionale d'Arte di Acireale | a cura di Achille Bonito Oliva | redazione catalogo e coordinamento mostra a cura di Lidia Reghini di Pontremoli | catalogo: Nuove edizioni Gabriele Mazzota | exhibition: 21 dicembre 1986 - 25 gennaio 1987 | Palazzo de Cittá, Acireale, Sicilia, Italia

review of «Erratici Percorsi» exhibition | December 21 | Giuseppe Contarino | La Sicilia, Catania, Italia

1987

article | «Libertà di inventare» | La XIX Rassegna d'Arte di Acireale | p. 11, January 2 | Francesco Poli | Il Manifesto, Roma, Italia

article | «Il cielo scolpito da fasci di luce» | Transavanguardia in mostra ad Acireale | January 17 | Lidia Reghini Di Pontremoli | Avanti, Roma, Italia

article | Abdell | p. 57, January-February | Stefano Petricca | Leader, Roma, Italia

video documentario | durata: 27'27" | andato in onda il: 03/3/1987 | XIX Rassegna Internazionale d'Arte Acireale a cura di Achille Bonito Oliva | regia di Pino Badalamenti | Rai - Regione Sicilia, Italia

review of «Erratici Percorsi» exhibition | February-March (Italian edition), p. 52 | Barbara Tosi | Flash Art, Roma, Italia

group exhibition | Erratici Percorsi | a cura di Achille Bonito Oliva | Marzo-Aprile | Castello Colonna, Genazzano, Roma, Italia

review of «Erratici Percorsi» exhibition | pp. 44-45, April-May | Michel Baudson | Arte Factum, Antwerpen, Belgium

1993

group exhibition | Aspects of Sculpture | May 23 - June 27 | exhibition curated by Donald Knaub | Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas

2021

article | Art & Voices Matter: Morad Montazami sifts through complexity of Southern Modernism | by Dilpreet Bhullar | published on: Jun 28 | STIRworld, New Delhi, Delhi

retrospective | Reconstructed Trap House | exhibition curated by Morad Montazami | 12-24 October | Ab/Anbar Gallery, Cromwell Place, London, United Kingdom

interview | Douglas Abdell talks to Jean Wainwright about ‘A Reconstructed Trap House’ | The London Magazine, London, United Kingdom

article | Douglas Abdell's Punic Wars rediscovered in a London retrospective | October 23 | Melissa Gronlund | The National, Abu Dhabi, United Arab Emirates

2022

missing works found | a group of 8 paintings from the '80s have been found in Abdell's studio | Abdell has named this group of works «Window of Intervalism»

2023

academic study topic | «D.Abdell e la cultura fenicia» | Docente: Lidia Reghini di Pontremoli | corso: Antropologia Culturale | Accademia di Belle Arti di Roma, Italia

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York


Punic
[+/-]
works made in New York, Italy and Spain from 1985 to 2004 ca.

1986

group exhibition and book | Erratici Percorsi | XIX Rassegna Internazionale d'Arte di Acireale | a cura di Achille Bonito Oliva | redazione catalogo e coordinamento mostra a cura di Lidia Reghini di Pontremoli | catalogo: Nuove edizioni Gabriele Mazzota | exhibition: 21 dicembre 1986 - 25 gennaio 1987 | Palazzo de Cittá, Acireale, Sicilia, Italia

review of «Erratici Percorsi» exhibition | December 21 | Giuseppe Contarino | La Sicilia, Catania, Italia

interview with reproductions | La experiencia transcultural de Douglas Abdell by Octavio Zaya | book «Le balcon» by Jean Genet | Editor: Marc Barbezat-L'Arbalète, France

1987

article | «Libertà di inventare» | La XIX Rassegna d'Arte di Acireale | p. 11, January 2 | Francesco Poli | Il Manifesto, Roma, Italia

article | «Il cielo scolpito da fasci di luce» | Transavanguardia in mostra ad Acireale | January 17 | Lidia Reghini Di Pontremoli | Avanti, Roma, Italia

article | Abdell | p. 57, January-February | Stefano Petricca | Leader, Roma, Italia

review of «Erratici Percorsi» exhibition | February-March (Italian edition), p. 52 | Barbara Tosi | Flash Art, Roma, Italia

video documentario | durata: 27'27" | andato in onda il: 03/3/1987 | XIX Rassegna Internazionale d'Arte Acireale a cura di Achille Bonito Oliva | regia di Pino Badalamenti | Rai - Regione Sicilia, Italia

group exhibition | Erratici Percorsi | a cura di Achille Bonito Oliva | Marzo-Aprile | Castello Colonna, Genazzano, Roma, Italia

review of «Erratici Percorsi» exhibition | pp. 44-45, April-May | Michel Baudson | Art Factum, Antwerpen, Belgium

1989

group exhibition and catalogue | Ritratti di un nome | a cura di Achille Bonito Oliva | catalogue publisher: Nuova Prearo Editore, Milano | exhibition: February 4 | Galleria Cleto Polcina, Roma, Italia

article | November 28, p.21 | Il Pennello nel fumetto | presentazione della mostra Artoon | Dario Micacchi | l'Unità, Roma, Italia

group exhibition and book | «Artoon - L'influenza del fumetto nelle arti visive del XX secolo» | direzione di Achille Bonito Oliva | libro | introduzione del libro «Artoonia» di Achille Bonito Oliva | saggio «Da identità a seduzione: il livellamento culturale e la presenza dei fumetti nell'arte degli anni '80» di Octavio Zaya | November 25 to January 15, 1990 | Palazzo Civiltà del Lavoro, Roma, Italia

one man exhibition and catalogue | Preview of the Forth Punic War | September | commissario: Achille Bonito Oliva | catalogo: Cleto Polcina Edizioni | introduzione del catalogo «La Biga di Abdell» di Achille Bonito Oliva | Galleria Cleto Polcina Arte Moderna, Roma, Italia

forum art fair Hamburg | Preview of the Forth Punic War | September | Galleria Cleto Polcina, Roma, Italia | Hamburg, West Germany

1990

article | Back to the Future | February 16, pp.20-21 | Neena Gopal | Gulf News, Dubai, United Arab Emirates

group exhibition and catalogue | Art = Money? | "Art = Money? An Exhibition? A Statement?" | November 29 to December 23 | exhibition curated by Michael McKenzie and Roberto Mitrotti | 16-page catalogue published by American Image, Inc., in association with originating galleries | introduction by Achille Bonito Oliva | artists: Douglas Abdell, Arman, Barton Benes, Mike Bidlo, Ronnie Cutrone, Allan D'Arcangelo, Ron English, Jeff Koons, Alexander Kosalopov, Mark Kostabi, Barbara Kruger, David Lynch, Michael McKenzie, Roberto Mitrotti, Larry Rivers | The Gallery, New York, New York

1991

one man exhibition and catalogue | La Quarta Guerra Punica | commissario: Achille Bonito Oliva | introduzione del catalogo di Achille Bonito Oliva | 14-15 aprile | Centro d' Arte e di Cultura Agorá, Palermo, Sicilia, Italia

one man exhibition | Liberazione a Tharros | Orestiadi di Gibellina | edition X | under supervision of Achille Bonito Oliva | mostra avvenuta in contemporanea con la Galleria Agorá di Palermo | 14-15 aprile | Museo Civico di Gibellina, Gibellina, Trapani, Sicilia, Italia

group exhibition | Art = Money? | exhibition curated by Michael McKenzie and Roberto Mitrotti | traveled to: Horwitch Gallery, Scotsdala, Arizona | Hokin Gallery, Miami, Florida | Hokin Gallery, Palm Beach, Florida | Elaine Horwitch Gallery, Santa Fe, New Mexico | Ayzenberg Gallery, Los Angeles, California

one man exhibition and catalogue | La Quarta Guerra Punica | April | commissario: Achille Bonito Oliva | introduzione del catalogo di Achille Bonito Oliva | Edizioni Carte Segrete | Galleria Massimo Riposati, Roma, Italia

book | «Così, lo stato dell'arte» by Achille Bonito Oliva | publisher: Leonardo – De Luca Editori, Roma, Italy

work in Museum | Museo Civico di Gibellina, Sicilia, Italy

group exhibition with book | 34º Festival dei Due Mondi | Festival di Spoleto, Italia | Rassegna Internazionale di giovani scultori | 28 Giugno-15 Settembre | libro della mostra «Aire» di Achille Bonito Oliva | Edizioni Carte Segrete | Fonti del Clitunno, Spoleto, Italia

1992

book | «Propaganda Arte» by Achille Bonito Oliva | 1 gennaio | Edizioni Carte Segrete, Roma, Italy

group exhibition | Art = Money? | exhibition curated by Michael McKenzie and Roberto Mitrotti | Galleria Massimo Riposati, Rome, Italy

group exhibition and catalogue | «Dislocazione Dell'Arte» | XXXVII Mostra Internazionale di Arte Contemporanea | under supervision of Achille Bonito Oliva | catalogue publisher: Umberto Sala Editori, Pescara, ltaly | exhibition: Juny 27 to August 31 | Termoli, Campobasso, Italy

group exhibition and catalogue | Orestiadi di Gibellina | «Paesaggio con rovine» | Achille Bonito Oliva | September 27 - October 31 | Fondazione Orestiadi, Gibellina, Trapani, Sicilia, Italy

1993

one man exhibition | Avvistamenti. Giovani artisti internazionali | February 14 | exhibition curated by Achille Bonito Oliva | Galleria Sprovieri, Rome with the collaboration of Studio Bernabó, San Marco, Venice, Italy

proyecto de Abdell para Atlantica | Atlántica. International Journal of the Arts | nº 5, Julio, pp.44-47 | Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, España

group exhibition and book | Gran delubro, l’arte | under supervision of Achille Bonito Oliva | book: Edizioni Carte Segrete, Roma | Associazione Artistico-Culturale La Salerniana, Erice, Trapani, Sicilia, Italia

group exhibition and catalogue | Outsider | under supervision of Antonio Zaya | catalogue Publisher: G. Tránsitos, Madrid | exhibition: December 21 - January 31, 1994 | Galería de Arte 10, Madrid, España

article | El Arte Periférico de los Desprotegidos | December 30, p.43 | María Santos Sainz | Diario 16, Madrid, Spain

1994

one man exhibition and catalogue | Abdell | January 11 | poem by Antonio Zaya and letter from Jean G. Daniel, November 1993 | Instituto Egipcio de Estudios Islámicos, Madrid, España

article | Los Outsiders | January | Adolfo Castaño | ABC, Madrid, Spain

work in public collection | Instituto Egipcio de Estudios Islámicos, Madrid, Spain

article | Abdell, Minot e Ira Tierra | winter issue | Jesús Tablate Miquis | Álbum, Madrid, Spain

article | Cuando la piedra habla Civilización | February | Yosef Nazmi | Majalat Al Andalus, Madrid, Spain

interview | Abdell, le Phenicien Magnifique | August 25 | Zéna Zalzal | L'Orient-Le Jour, Beirut, Lebanon

1995

one man exhibition and catalogue | La Unió dels Estats Fenicis | comisari Achille Bonito Oliva | catalogue with essay by Achille Bonito Oliva «Congelar en l'Art un temps millor: L'Estratègia d'Abdell» and essay by Joan Abelló «Abdell, El Fenicio» | exhibition at Centre Cívic Pati Llimona, districte de Ciutat Vella, Barcelona, Catalunya, España

article | Un Fenicio Post Moderno | December, p.60 | Berta Álvarez | Vogue, España

permanent installation | Edificio Genesis | complejo residencial Genesis, Zaragoza, España

1996

one man exhibition and catalogue | Unión de los Estados Fencios | comisario Achille Bonito Oliva | texto «Congelar en el Arte un tiempo mejor: La Estrategia de Abdell» di Achille Bonito Oliva | 29 de Febrero - 24 de Marzo | Museo Pablo Gargallo, Zaragoza, España

review of exhibition | El Mundo del Arte es Social | March 1, p.21 | Angela Labordeta | Diario 16 (Aragón), Zaragoza, Spain

review of exhibition | EL Libanés Abdell propone la Unión de los Estados Fenicios | March 1, p.45 | Mariano García | Heraldo de Aragón, Zaragoza, Spain

article | Museo de Pablo Gargallo, Abdell | March 10 | Artes y Letras, p.4 | Angel Azpeitia | Heraldo de Aragón, Zaragoza, Spain

review of exhibition | La Piedra de Calatorao y sus lazos con Oriente Medio | March 14, p.46 | Carmen Serrano | El Periodico de Aragón, Zaragoza, Spain

review of exhibition | Abdell, La Unión de los Estados Fenicios | March 15, p.19 | El Punto de Las Artes, Madrid, Spain

one man exhibition | La Unió dels Estats Fenicis | comisari Achille Bonito Oliva | presentació 6 de Març en MACBA Museu d'Art Contemporani de Barcelona | exposició 9-31 de Març | Casal de Vespella de Gaià, Vespella de Gaià, Catalunya, España

article | Esposició de L'escultor Libanés Abdell | March, p.36 | Joan Boronat | Diari de Tarragona, Catalunya, España

article | Abdell, el Escultor 'Fenicio' presenta sus trabajos en Vespella de Gaiá | March 9, p.13 | Catalina Serra | El País - Catalunya, Barcelona, España

article | El Casal de Vespella de Gaiá abre la programació amb Escultures Fenicies | March 10, p.18 | Jordi Bellmunt i Chiva | Nov Diari, Tarragona, Catalunya, España

review of exhibition | El Casal Cultural acull una Mostra d'escultures de artista Libanés Abdell | March 10, p.31 | Joan Boronat | Diari de Tarragona, Catalunya, España

1998

etching | 'Libanizar' el Planeta | 74x52.5 cm | artwork from the FG collection | same series of work added in 2023 to the collection of Sursock Museum, Beirut, Lebanon

1999

group exhibition | Pictores Fictoresque III | June - July - August | Joan Guaita Gallery, Palma de Mallorca, Spain

2000

proyecto de Abdell y Maria Merinero para Atlantica | Atlántica. International Journal of the Arts | nº 25, Invierno, pp.160-167 | Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, España

2003

article | «Las huellas de la personalidad en la escritura» by María del Mar García Tijeras | nº 24, March, pp. 34-37 | published by Arte y Naturaleza (Arts & nature) magazine, Madrid, Spain

sculpture | Dialogo Fenicio (Phoenician dialogue) | stone of Sepulveda, Segovia, Spain | 59x39x25cm | work sold at auction on April 27, 2023 | 20th Century Art, Middle East, Lot 35 | Sotheby's London, United Kingdon

2005

one-man exhibition and catalogue | Abdell: El Retorno del Fenicio | texto de Joan Abelló | Museo de Adra, Almería, Andalucía, España

2017

one-man exhibition | El Retorno del Fenicio, Douglas Abdell | Museo de Chiclana de la Frontera, Cádiz, Andalucía, España

2018

one-man institutional exhibition | El Retorno del Fenicio. Douglas Abdell | nº de asistentes: 12.716 personas | 26 abril-24 junio | Museo de Càdiz, Andalusia, España

2019

one-man exhibition | El Retorno del Fenicio, Douglas Abdell | Fundación Antonio Gala, Cordoba, Andalusia, España

2020

group exhibition | Scrivere Disegnando When Language Seeks Its Other | 29 January – 23 August | curators: Andrea Bellini and Sarah Lombardi | essay by Morad Montazami «Free Arab Speech: On Emancipated Writing» | Centre d'Art Contemporain Genève, Suisse

2021

retrospective | Reconstructed Trap House | exhibition curated by Morad Montazami | 12-24 October | Ab/Anbar Gallery, Cromwell Place, London, United Kingdom

interview | Douglas Abdell talks to Jean Wainwright about ‘A Reconstructed Trap House’ | The London Magazine, London, United Kingdon

article | Douglas Abdell's Punic Wars rediscovered in a London retrospective | October 23 | Melissa Gronlund | The National, Abu Dhabi, United Arab Emirates

2023

academic study topic | «D.Abdell e la cultura fenicia» | Docente: Lidia Reghini di Pontremoli | corso: Antropologia Culturale | Accademia di Belle Arti di Roma, Italia

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York


M=Agua
[+/-]
works made in Madrid and Málaga, Spain from 1998 to 2010 ca.

1999

sculpture | M=Agua #23 | stone and wood base | 113x67x51cm 44'½x26'½x20' in | work sold at auction on October 26, 2021 | 20th Century Art, Middle East, Lot 14 | Sotheby's London, United Kingdon

2003

sculpture | M=Agua #8 | bois, zinc, marbre, eau, valise et journaux | 78.5x184x118 cm | Oeuvre acquise en 2019 par le CNAP, Centre national des arts plastiques, France

2005

article | «Abdell, M=Agua» by Joan Abelló Juanpere | nº 36, March, pp. 46-47 | published by Arte y Naturaleza (Arts & nature) magazine, Madrid, Spain

2006

Abdell publishes the official website of the series "M=Agua" | www.abdellmagua.eu | webmaster: María Merinero

2021

retrospective | Reconstructed Trap House | exhibition curated by Morad Montazami | 12-24 October | Ab/Anbar Gallery, Cromwell Place, London, United Kingdom

interview | Douglas Abdell talks to Jean Wainwright about ‘A Reconstructed Trap House’ | The London Magazine, London, United Kingdon

article | Douglas Abdell's Punic Wars rediscovered in a London retrospective | October 23 | Melissa Gronlund | The National, Abu Dhabi, United Arab Emirates

2023

academic study topic | «D.Abdell e la cultura fenicia» | Docente: Lidia Reghini di Pontremoli | corso: Antropologia Culturale | Accademia di Belle Arti di Roma, Italia


Aekyad /2nd period
[+/-]
work made in Málaga, Spain from September 2018 to the present

1,674

total works made (August 31, 2024 update) of which:

961

drawings | (837) 50x70 and (124) 30x42 cm | A-D | Aekyad-Drawing sub-series

5

paintings | (4) 150x200 and (1) 180x250 cm | A-P | Aekyad-Painting sub-series

20

paintings | 60x80 cm | A-M-P | Aekyad-Mekaniks-Painting sub-series

5

wall works alluminium sculptures | 50x70x3 cm | A-W-W | Aekyad-Wall-Work sub-series

1

welded steel sculpture | H.300 cm

3

welded steel sculptures | H.100 cm

11

cast bronze sculptures | H.30/40 cm

11

steel sculptures | H.30/40 cm

373

drawings for sculpture | (25) 42x68, (323) 30x42 and (25) 21x30 cm

284

polystyrene models for cast bronze sculpture | H.30/40 cm

2018

first work of this new Aekyad period | September 10 | sculpture of a 1977 drawing | «Naexi-Aekyad», name in production phase: «Aekyad #1» | cast bronze and black patina | 27.5x26.5x6 cm | based on this work, Abdell produces models to be able to cast the sculptures drawn and not made in the years 1977-78. | artwork from the FG collection | on view, atelier Madrid, Spain

sculpture of a 1977 drawing | «Naexi 3-Aekyad», name in production phase: «Aekyad #2» | cast bronze and black patina | 40x32x7 cm | artwork from the FG collection | on view, atelier Madrid, Spain

sculpture of a 1978 drawing | «Knaexi 4-Aekyad», name in production phase: «Aekyad #3» | cast bronze and black patina | 35.2x28.5x6.2 cm | artwork from the FG collection | on view, atelier Madrid, Spain

2019

sculpture of a 1977 drawing | «Knadep-Aekyad», name in production phase: «Aekyad #13» | cast bronze and black patina | 36.4x27.6x8.1 cm | artwork from the FG collection | on view, atelier Madrid, Spain

work reference | drawing for Aekyad make with polyestirene model for cast in bronze | «Aekyad #19» (name in production phase) | May 2 | last polyestirene model of sculpture for cast in bronze from 1977/78 drawing

work reference | drawing for Aekyad make with polyestirene model for cast in bronze | «Aekyad #20» (name in production phase) | May 5 | first work drawn from only form sketches from 1977/78

work reference | drawing for Aekyad make with polyestirene model for cast in bronze | «Aekyad #60» (name in production phase) | October 15 | first new drawing made without reference to sketches from other periods

2020

work reference | «Aekyad #284» | October 29 | last Aekyad drawing make with polyestirene model for cast in bronze

drawing | «A-D #1» (Aekyad-Drawing #1) | November 1 | 50x70 cm | acrylic on paper | first work of the A-D sub-serie

drawing | A-D #10 | acrylic on paper | 63x90 cm | from the FG collection Madrid, Spain

2021

article | Art & Voices Matter: Morad Montazami sifts through complexity of Southern Modernism | by Dilpreet Bhullar | published on: Jun 28 | STIRworld, New Delhi, Delhi

work reference | drawing for Aekyad sculpture | Aekyad #285 | Juli, 9 | acrylic on paper | starting from this drawing, Abdell does not make the polystyrene model to cast in bronze. The intention is to make the sculptures from cut sheet steel

work made | Drawing for Aekyad #346 | acrylic on paper | 40x30 cm | drawing from the FG collection | on view, atelier Madrid, Spain

work made | sculpture | Aekyad #346 | laser cut and bluning steel | 32x29x8 cm | artwork from the FG collection | on view, atelier Madrid, Spain

retrospective | Reconstructed Trap House | exhibition curated by Morad Montazami | 12-24 October | Ab/Anbar Gallery, Cromwell Place, London, United Kingdom

interview | Douglas Abdell talks to Jean Wainwright about ‘A Reconstructed Trap House’ | The London Magazine, London, United Kingdom

article | Douglas Abdell's Punic Wars rediscovered in a London retrospective | October 23 | Melissa Gronlund | The National, Abu Dhabi, United Arab Emirates

2022

drawing | A-D #466 _Better be with me than block me_ | acrilic on paper | 50x70 cm | artwork from the FG collection | on view, atelier Madrid, Spain

works in museum collection | Aekyad-Drawing (A-D) series | peinture acrylique et crayon sur papier dessin filigrané and sérigraphie sur papier Hahne mühle pour impression en taille douce, blanc 300g/m2 | 79.5x70.5cm and 56x78cm | MAMCO, Museum of Modern and Contemporary Art, Geneva, Switzerland

silkscreen | A-D #320 _Mekaniks of Drama_ | 56x78 cm | MAMCO GENÈVE silkscreen series of a 2021 Aekyad Drawing | artwork from the FG collection, Madrid, Spain

2023

academic study topic | «D.Abdell e la cultura fenicia» | Docente: Lidia Reghini di Pontremoli | corso: Antropologia Culturale | Accademia di Belle Arti di Roma, Italia

2024

one-man exhibition | Douglas Abdell: Intervalism and Other Mathematics | September 12th - October 26th | Ab-Anbar Gallery, London, United Kingdom

article/interview | Douglas Abdell at Ab-Anbar Gallery, London | Cleo Scott | LUX Magazine, London, United Kingdom

article | During Frieze Week There Is No Shortage of Things to See. | Farah Nayeri | Oct. 2 | print on Section S, Page 4 in The New York Times International Edition, Oct. 4 | The New York Times, New York, New York